Read & Run on the Road: Book Club Run of The Gangster We Are All Looking For

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Date and time

Saturday, May 11 · 8:15-10:15 a.m. PST

Location

Start: Kelly Street Neighborhood Park (6626 Kelly St, San Diego, CA 92111) Google Map

End: Linda Vista Branch Library (2160 Ulric St, San Diego, CA 92111) Google Map (0.4 miles from our starting location)

Refund Policy

No refunds

Agenda

8:15-9:30 a.m. Run a route inspired by The Gangster We Are All Looking For

9:30-10:15 a.m. Post-run discussion

About this event

On this 4.2 mile, easy-paced book club run, we explore some of the real-life places where the author’s young narrator lived in The Gangster We Are All Looking For. Set predominantly in the Linda Vista neighborhood of San Diego, the narrator immigrates from Vietnam to San Diego in 1978 at the age of six. In a story that oscillates between her memories of Vietnam and her new experiences in San Diego, we observe the world through the whimsical, elusive, and sometimes heart-breaking eyes of a child.

During the route for this Read & Run on the Road event, created and led by Chelsey Stone, we’ll stop at six different locations corresponding to the story and finish for a post-run discussion with light bites at the Linda Vista Library Branch (after all, author Lê Thi Diem Thúy went to this library as a child).

This is the main run for the book, but we thought, given the narrator does live briefly in an apartment in San Diego’s Little Saigon, it was only fitting to bring San Diegans to this part of our city. We are therefore leading a bonus run Thursday May 16 at 6 p.m. in Little Saigon. If you sign up for this run, you get a discount on part two.


TICKETS: Tickets are $10.

We are requesting you pay via Venmo or Zelle, in an effort to eliminate fees to you and to us (Eventbrite charges $3.44 per ticket). If neither of these are an option for you, email us and we’ll work something out.

Venmo: @Chelsey-L-Stone (last four digits of phone number: 2729)

Zelle: chelseygrassfield@gmail.com

The bonus run will be $10 for those who do not join this run and $5 for those who do. If you are registering for both, you can send one single payment of $15.

MEET: Meet at Kelly Street Neighborhood Park (6626 Kelly St, San Diego, CA 92111) between 8:00-8:15 a.m. on Saturday, May 11. The program will begin promptly at 8:15 a.m. You will check in with Chelsey Stone.

ROUTE: We’ll run an easy-paced (~11:00 minute/mile), 4.2-mile route with six stops in Linda Vista.

PREPARE: As this event is a book club run, we highly encourage you to read The Gangster We Are All Looking For prior to joining the run. You can borrow a copy from your local branch of the San Diego Public Library (here’s how to get a card if you don’t have one) or purchase from a local bookstore.

Optional: Join us for an online discussion of the book on Italic Type as we read the story in preparation for the run.

POST-RUN: After the route, we’ll finish at the Linda Vista Library Branch (2160 Ulric St, San Diego, CA 92111) 9:30-10:15 a.m. with lite bites and a chance to discuss the book.

INCLEMENT WEATHER PLAN: If weather creates unsafe conditions, we will hold the discussion at the Linda Vista Library branch 9:30-10 a.m. We will inform you no later than Saturday, May 11 by 7:00 a.m. if an alternate event will take place.

All registered runners will receive reminder details two days prior to the event.


Chelsey Stone moved last summer to San Diego from Chicago, where she was a guide with Read & Run Chicago. Chelsey is an avid reader, she even blogs about it. She loved creating routes based on her favorite books set in Chicago. Fortunately for her, founder Allison Yates has expanded her business to include Read & Run Tours.

Chelsey’s CPR Certified and the Chicago and San Diego running tour manager for City Fit Tours, where she regularly creates routes and leads tours that connect people to our cities’ histories through their most iconic sites.

Read & Run on the Road is an independently organized event with a license from Read & Run Tours, LLC, the country’s first and only organization that hosts running events inspired by books. Founded in 2021 by queer educator, freelance writer, and runner Allison Yates, the mission of Read & Run Tours, LLC and the city chapters is to use movement and stories to explore locations. Our community-focused run programming includes running tours, book club runs, author talks, and other literary-themed fun runs all inspired by books set in the cities where chapters are located, written by local authors. While connecting runners to the city’s stories, we also actively support literacy programs, public libraries, independent bookstores, and local authors.

Questions, comments, or concerns? Email Chelsey Stone at chelseygrassfield@gmail.com

Register here

BONUS Read & Run on the Road: Book Club Run of The Gangster We Are All Looking For

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Date and time

Thursday, May 16 · 6:00 – 8:00 p.m. PST

Location

Start: Little Saigon San Diego (meet at corner of El Cajon Blvd and Highland Ave.) Google Map

End: Hoài Huế Restaurant (4660 El Cajon Blvd Suite 102) Google Map

Refund Policy

No refunds

Agenda

6:00-7:00 p.m. Run a route inspired by The Gangster We Are All Looking For that explores Little Saigon

7:00-8:00 p.m. Post-run discussion at Hoài Huế Restaurant (Please be prepared to cover your own meal costs.)

About this event

On this 3 mile, easy-paced book club run, we explore one of the real-life places where the author’s young narrator lived in The Gangster We Are All Looking For. The narrator immigrates from Vietnam to San Diego in 1978 at the age of six. In a story that oscillates between her memories of Vietnam and her new experiences in San Diego, we observe the world through the whimsical, elusive, and sometimes heart-breaking eyes of a child. The main event for this book club run was set in Linda Vista, but we thought it only right to visit San Diego’s Little Saigon and explore the cultural connection of this area.

During the route for this Read & Run on the Road event, created and led by Chelsey Stone, we’ll stop at one location corresponding to the story, 2-3 locations that explore Little Saigon, and finish for a post-run discussion Hoài Huế Restaurant (Please be prepared to cover your own meal costs.).

This is the bonus run for the book, so we hope you can join us for the book’s main run Saturday May 11 at 8:15 a.m.


TICKETS: This bonus run is $10 for those who do not join the main run and $5 for those who do.

We are requesting you pay via Venmo or Zelle, in an effort to eliminate fees to you and to us (Eventbrite charges $3.44 per ticket). If neither of these are an option for you, email us and we’ll work something out.

Venmo: @Chelsey-L-Stone (last four digits of phone number: 2729)

Zelle: chelseygrassfield@gmail.com

MEET: Meet at the corner of El Cajon Blvd and Highland Ave. (Google Map) between 5:45-6:00 p.m. on Thursday, May 16. The program will begin promptly at 6:00 p.m. You will check in with Chelsey Stone.

ROUTE: We’ll run an easy-paced (~11:00 minute/mile), 3-mile route with 3-4 stops in Little Saigon.

PREPARE: Unlike the main run Saturday May 11, it is not necessary to have read The Gangster We Are All Looking For prior to joining the run. Though we’ll reference the book, the focus of this run will be exploring Little Saigon. You can borrow a copy from your local branch of the San Diego Public Library (here’s how to get a card if you don’t have one) or purchase from a local bookstore.

Optional: Join us for an online discussion of the book on Italic Type as we read the story in preparation for the run.

POST-RUN: After the route, we’ll finish at the Hoài Huế Restaurant (4660 El Cajon Blvd Suite 102) 7:00-8:00 p.m. to discuss the book (Please be prepared to cover your own meal costs.).

INCLEMENT WEATHER PLAN: If weather creates unsafe conditions, we will hold the discussion at Hoài Huế Restaurant 6:00-7:00 p.m. We will inform you no later than Thursday, May 16 by 5:00 a.m. if an alternate event will take place.

All registered runners will receive reminder details two days prior to the event.


Chelsey Stone moved last summer to San Diego from Chicago, where she was a guide with Read & Run Chicago. Chelsey is an avid reader, she even blogs about it. She loved creating routes based on her favorite books set in Chicago. Fortunately for her, founder Allison Yates has expanded her business to include Read & Run Tours.

Chelsey’s CPR Certified and the Chicago and San Diego running tour manager for City Fit Tours, where she regularly creates routes and leads tours that connect people to our cities’ histories through their most iconic sites.

Read & Run on the Road is an independently organized event with a license from Read & Run Tours, LLC, the country’s first and only organization that hosts running events inspired by books. Founded in 2021 by queer educator, freelance writer, and runner Allison Yates, the mission of Read & Run Tours, LLC and the city chapters is to use movement and stories to explore locations. Our community-focused run programming includes running tours, book club runs, author talks, and other literary-themed fun runs all inspired by books set in the cities where chapters are located, written by local authors. While connecting runners to the city’s stories, we also actively support literacy programs, public libraries, independent bookstores, and local authors.

Questions, comments, or concerns? Email Chelsey Stone at chelseygrassfield@gmail.com

Register here

Read & Run on the Road: Book Club Run of Evergreen with author Naomi Hirahara

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Date and time

Saturday, June 29 · 9:00-noon PST

Location

Start: San Pedro Firm Building (112 Judge John Aiso St, Los Angeles, CA 90012) Google Map

End: Mitsuru Grill and Cafe (316 1st St, Los Angeles, CA 90012) Google Map (500 feet from starting location)

Refund Policy

No refunds

Agenda

9:00-10:45 a.m. Run a route inspired by Evergreen

10:45-noon Post-run discussion

About this event

On this 5.6 mile, easy-paced book club run, we explore some of the real-life places where the protagonist Aki Ito lived in Evergreen. This sequel to Clark & Division sees Aki home from the Manzanar detention center and relocation to Chicago after World War II. In the midst of navigating the changes to Little Tokyo and hardships of rebuilding her life in Los Angeles, Aki finds herself entangled in yet another mysterious murder that threatens her family. The vivid descriptions of Little Tokyo and Boyle Heights will have us imagining the world as Aki would have seen it.

During the route for this Read & Run on the Road event, created and led by Chelsey Stone, we’ll stop at several different locations corresponding to the story and finish for a post-run discussion with author Naomi Hirahara at Mitsuru Grill and Cafe (Please be prepared to cover your own meal costs.).


TICKETS: Tickets are $35 on or before May 31. Tickets increase to $45 on or after June 1.

We are requesting you pay via Venmo or Zelle, in an effort to eliminate fees to you and to us (Eventbrite charges $3.44 per ticket). If neither of these are an option for you, email us and we’ll work something out.

Venmo: @Chelsey-L-Stone (last four digits of phone number: 2729)

Zelle: chelseygrassfield@gmail.com

MEET: Meet at San Pedro Firm Building (112 Judge John Aiso St, Los Angeles, CA 90012) between 8:45-9:00 a.m. on Saturday, June 29. The program will begin promptly at 9:00 a.m. You will check in with Chelsey Stone.

ROUTE: We’ll run an easy-paced (~11:00 minute/mile), 5.6-mile route with several stops in Little Tokyo and Boyle Heights.

PREPARE: As this event is a book club run, we highly encourage you to read Evergreen prior to joining the run. You can borrow a copy from your local branch of the public library or purchase from a local bookstore.

Optional: Join us for an online discussion of the book on Italic Type as we read the story in preparation for the run.

POST-RUN: After the route, we’ll finish at Mitsuru Grill and Cafe 10:45-noon to discuss the book (Please be prepared to cover your own meal costs.).

INCLEMENT WEATHER PLAN: If weather creates unsafe conditions, we will hold the discussion at Mitsuru Grill and Cafe 10:45-noon. We will inform you no later than Saturday, June 29 by 7:00 a.m. if an alternate event will take place.

All registered runners will receive reminder details two days prior to the event.


Chelsey Stone moved last summer to San Diego from Chicago, where she was a guide with Read & Run Chicago. Chelsey is an avid reader, she even blogs about it. She loved creating routes based on her favorite books set in Chicago. Fortunately for her, founder Allison Yates has expanded her business to include Read & Run Tours.

Chelsey’s CPR Certified and the Chicago and San Diego running tour manager for City Fit Tours, where she regularly creates routes and leads tours that connect people to our cities’ histories through their most iconic sites.

Read & Run on the Road is an independently organized event with a license from Read & Run Tours, LLC, the country’s first and only organization that hosts running events inspired by books. Founded in 2021 by queer educator, freelance writer, and runner Allison Yates, the mission of Read & Run Tours, LLC and the city chapters is to use movement and stories to explore locations. Our community-focused run programming includes running tours, book club runs, author talks, and other literary-themed fun runs all inspired by books set in the cities where chapters are located, written by local authors. While connecting runners to the city’s stories, we also actively support literacy programs, public libraries, independent bookstores, and local authors.

Questions, comments, or concerns? Email Chelsey Stone at chelseygrassfield@gmail.com

Register here

Read & Run on the Road: Running Tour of Ellen Browning Scripps with author Molly McClain

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Date and time

Sunday, June 2 · 9:00-11:00 a.m. PST

Location

Start: Museum of Contemporary Art San Diego (700 Prospect St, La Jolla, CA 92037) Google Map

End: La Jolla Historical Society (780 Prospect St, La Jolla, CA 92037) Google Map (500 feet from starting location)

Refund Policy

No refunds

Agenda

9:00-10:00 a.m. Run a route inspired by Ellen Browning Scripps

10:00-11:00 a.m. Post-run discussion

About this event

On this 3 mile, easy-paced book club run, we explore several of the institutions and public places funded by Ellen Browning Scripps’ philanthropy. Scripps was born in England 1836 and emigrated with her family to Illinois in 1844. It wasn’t until she was 61 years old that she moved to La Jolla and would begin her philanthropic endeavors, after her brother’s death in 1900. The New York Times estimates she gave over $44 million in 2023 dollars before she died in 1932. A champion of many causes, Scripps funded institutions to support women’s education, the labor movement, and public access to science, the arts, and education.

During the route for this Read & Run on the Road event, created and led by Chelsey Stone, we’ll stop at several different locations Ellen Browning Scripps funded and finish for a post-run discussion with author Molly McClain at the La Jolla Historical Society.


TICKETS: Tickets are $25.

We are requesting you pay via Venmo or Zelle, in an effort to eliminate fees to you and to us (Eventbrite charges $3.44 per ticket). If neither of these are an option for you, email us and we’ll work something out.

Venmo: @Chelsey-L-Stone (last four digits of phone number: 2729)

Zelle: chelseygrassfield@gmail.com

MEET: Meet at Museum of Contemporary Art San Diego (700 Prospect St, La Jolla, CA 92037) between 8:45-9:00 a.m. on Sunday, June 2. The program will begin promptly at 9:00 a.m. You will check in with Chelsey Stone.

ROUTE: We’ll run an easy-paced (~11:00 minute/mile), 3-mile route with several stops throughout La Jolla.

PREPARE: As this event is a running tour informed by Molly McClain’s book, it is encouraged but not required to read Ellen Browning Scripps prior to joining the run. You can borrow a copy from your local branch of the public library or purchase from a local bookstore.

Optional: Join us for an online discussion of the book on Italic Type as we read the story in preparation for the run.

POST-RUN: After the route, we’ll finish at La Jolla Historical Society 10:00-11:00 a.m. with lite bites and a chance to discuss the book with author Molly McClain.

INCLEMENT WEATHER PLAN: If weather creates unsafe conditions, we will hold the discussion at the La Jolla Historical Society at 10:00 a.m. We will inform you no later than Sunday, June 2 by 7:00 a.m. if an alternate event will take place.

All registered runners will receive reminder details two days prior to the event.


Chelsey Stone moved last summer to San Diego from Chicago, where she was a guide with Read & Run Chicago. Chelsey is an avid reader, she even blogs about it. She loved creating routes based on her favorite books set in Chicago. Fortunately for her, founder Allison Yates has expanded her business to include Read & Run Tours.

Chelsey’s CPR Certified and the Chicago and San Diego running tour manager for City Fit Tours, where she regularly creates routes and leads tours that connect people to our cities’ histories through their most iconic sites.

Read & Run on the Road is an independently organized event with a license from Read & Run Tours, LLC, the country’s first and only organization that hosts running events inspired by books. Founded in 2021 by queer educator, freelance writer, and runner Allison Yates, the mission of Read & Run Tours, LLC and the city chapters is to use movement and stories to explore locations. Our community-focused run programming includes running tours, book club runs, author talks, and other literary-themed fun runs all inspired by books set in the cities where chapters are located, written by local authors. While connecting runners to the city’s stories, we also actively support literacy programs, public libraries, independent bookstores, and local authors.

Questions, comments, or concerns? Email Chelsey Stone at chelseygrassfield@gmail.com

Register here

Italic Type Group Reads

When you have a book on your TBR list that you just can’t face alone, when your book club is looking for a way to connect between in person meetings, or when you’re simply looking for an excuse to connect meaningfully with others Group Reads has you covered. We know (and enjoy!) the solitary aspects of reading, but we also know there are times when you are craving connections. Check out the Group Reads “how to”s below for when that sociable mood strikes you. You will learn how to initiate a Group Read with your favorite fellow readers, how to join one initiated by another, and the Italic Type features that foster meaningful exchanges.

How to initiate a Group Read on Italic Type.

  1. Select your book

Enter the book title and author until your book pops up or hit enter to see the full list. Once you click on your book, you’ll see an option to “start reading” if you are ready to get started right away.

  1. Start a Group Chat for your Book Board

Once it’s been added, your option will update to “Go to Book Board” where you can “Start a Group Chat.”

  1. Invite a friend (or two or three… we’ve added as many as eighty at one time)

Enter the email addresses of the readers you’d like to join you. Now you’ve started a Group Read!

  1. Your friends receive an email, inviting them to join you.

Once they log in, they can accept your invite and join you in the Group Chat. If they are new to Italic Type they’ll be able to join you after they’ve signed up.

How to join an existing Group Read

Look out for the email invitation.

If someone else has invited you to join their Group Read, they’ll go through the steps above and you can join them once you’ve received your invitation. Voila!

How to participate in a Group Read

Personal Book Board

Every book you read on Italic Type has a space just for you and your notes, even when you are invited to a Group Read. This personal Book Board is where you can keep track of your reactions and discoveries from your reading. During this journey of self-discovery, however, you may encounter a quote or an idea you would be curious to hear others discuss. Grab that thought-provoking topic and share it in the Group Chat.

Keep count

You can mark your current page number (or percentage for digitally read books) and see how others in your Group Read are faring. It can be motivating to share your progress and see their progress as well. You’ll also know if a comment you want to make in the chat might need to be prefaced with “spoiler alert.”

Mention members to respond or prompt

Whether you are responding to someone’s post or have a question for a specific member in your group, you mention them using @ and their name displayed on their profile.

Threads keep conversations organized

Rather than endlessly scrolling through post after post as people react to different comments, keep conversations organized by responding to someone’s specific post in a thread. Simply click the chat bubbles in the right hand corner to reply to that comment or click on “[X] Replies” on the bottom (from your phone you’ll need to first tap the post for these options). Now you and your fellow readers can build on an existing topic instead of creating a whole new post.

Screenshots

Short and sweet quotes can be typed directly into the group chat, but to share a longer passage or graphics in your Group Read, you can take and upload a photo of the selection.

How to use a Group Read in conjunction with your in person book club

Before your in person discussion

When you send the usual details for your in person discussion (meeting location, next book, etc.), you can invite your fellow book clubbers to join a Group Read on Italic Type as well. Before the in person discussion your members can share their reactions to the book in real time, as they are reading. The Group Chat provides a place to share first impressions or encourage each other to finish ones that start out slow. It’s like having a cheering squad to get you through to the in person discussion.

After your in person discussion

If you ever find yourself still mulling over the understandings and conclusions you come to about the book afterward, the Group Chat allows you to continue those conversations.

Group Reads for readers who wish to socialize

From reading with a close friend you want to keep in touch with to reading with dozens of readers you’ve never met before in a virtual book club, Group Reads can bring a little socializing to your next book-centered conversation. With features that facilitate meaningful connection no matter who you’re book clubbing with, you’ll be enriching your next read with ease.

Literary Tyranny

“The best part about any office job is the fact that…” comedian Sheng Wang ends this sentence in his 2022 Netflix special with “you can print.” The audience knowingly laughs at an office worker’s delight in this seemingly trivial and inconsequential act. Yet many of us (myself included*) have printers at home. Ours, however, are reserved “for emergency use only” and on which we print double-sided and grayscale.

Sheng Wang’s 2022 Netflix special “Sweet and Juicy” reveals the connection between printing and tyranny.

But at the office? When Wang asks, “Have you ever thrown away documents…that you just printed? … Have you ever thrown away warm paper?” I nodded a vigorous YES! Because the office is where I allow myself waste since those are not my resources warming the bottom of the trashcan.  

On the surface, this joke appears to be a funny, relatable—yet innocuous—observation, but Wang hits on something more universal and foreboding when he says, “they try to control you in so many ways at work, but they let you print free reign. …They know they gotta leave us a little something to turn to when we feel like we have no control. Printing is the only thing stopping the revolution.” 

Working in an office indeed means giving up certain rights and freedoms. You cannot wear whatever you want, you must arrive and leave at a prescribed time, and you need a key to access the bathroom. You mute your personality and are expected to be a productive cog within the company machine. This environment can feel restrictive, oppressive even. 

The office worker seeks a release through subversive means against this oppression, by printing personal documents liberally in Wang’s example. The urge to push back against an oppressive force is common, in both literary and real situations.  

The Handmaid’s Tale 

Towards the end of Margaret Atwood’s The Handmaid’s Tale, the reader witnesses a “Particicution” (presumably participation + execution) ceremony, an event during which a man is brought out and revealed as a rapist to the gathered group of Handmaids. The Handmaids are told they’ll hear a whistle and “after that, what you do is up to you, until I blow the whistle again.” The expectation of violence is clear to all.  

The narrator recognizes the ludicrousness of the situation and impending violence, yet she’s swept up in it anyways—as she’s meant to be. She says, “we jostle forward, our heads turn from side to side, our nostrils flare, sniffing death, we look at one another, seeing the hatred.” It’s a rush for these oppressed women, a tyranny-sanctioned outlet, that allows the release of pent up frustration. Brilliantly it’s against a man, the arbitrator of their condition, so they can channel all their anger toward the men of their households and larger society into this one individual who’s said to have committed the ultimate crime against women. 

Historians studying this society (revealed to us through the “Historical Notes” at the end of the story) discuss how this Particicution acted “as a release valve for the female elements in Gilead.” And the narrator recognizes, “we are permitted anything and this is freedom…” for which they long.

It was so popular that Particicutions were scheduled four times a year. This opportunity to exact revenge on their oppressors, physically and metaphorically, was an effective means of keeping them in line. Historians of this society claim,  “scapegoats have been notoriously useful throughout history, and it must have been most gratifying for these Handmaids, so rigidly controlled at other times, to be able to tear a man apart with their bare hands every once in a while.” Just as the historian imply, there are no shortages of real world examples of such strategies. 

Nothing to Envy 

In Nothing to Envy, Barbara Demick, narrates the lives of six North Koreans she interviewed as they navigate life in the 1990s and early 2000s. When Kim Il-sung dies in 1994, a scene reminiscent of that described above in The Handmaid’s Tale ensues: “People started to surge forward, knocking down those in line, trampling people already prostrate on the ground… From blocks away, the noise from the square carried through the humid air and sounded like the roar of a riot.” 

Jun-Sang, a medical student, makes a shocking discovery at the news of Kim Il-Sung’s death: “Keeping his head down so nobody could read the confusion on his face, he listened to the rhythm of the sobbing around him. … He found it curious that for once he wasn’t the one crying. …He was alone, completely alone in his indifference. This revelation was quickly followed by another… It was a matter of life and death.” He found a way to make himself cry by staring at the ground until his eyes teared up, and while the inability to cry may seem obvious to those outside of North Korea, it was a shock to someone living in a country that worshiped its ruler like a god.

The displays of grief were loud, public, and a game of one-upmanship. One interpretation of this moment is that Kim Il-Sung’s death provided an outlet for a greater grief, whether North Koreans like Jun-Sang realized or not, for their pent up frustration at their oppression and desperate living conditions. Though this wasn’t the intention of the funeral and ensuing mourning, it inadvertently turned into an opportunity for the population to grieve for themselves as well. 

Just as the historians of The Handmaid’s Gilead did, Demick seeks to contextualize what occurred: “Among the millions of North Koreans who took part in the mass display of grief for Kim Il-sung, how many were faking? Were they crying for the death of the Great Leader or for themselves? Or were they crying because everybody else was? If there is one lesson taught by scholars of mass behavior, from the historians of the Salem witch hunts to Charles Mackay, author of the classic Extraordinary Popular Delusions and the Madness of Crowds, hysteria is infectious.” And this hysteria likely allowed those North Koreans more frustrated at their own circumstances than grieved at the death of their oppressor a much need release. 

And so we print 

Now that we’ve (briefly) visited the more sinister parts of humanity, both fictionalized and historical, let’s come back to the florescent-lighted but otherwise sanitary and safe cubicles of the office worker. Their oppression does not compare to those of the Handmaids or North Koreans, but these office workers will nonetheless seek an outlet for their own daily frustrations. 

By the time Wang concludes his joke with “Oh, so you want me to come in the Friday after Thanksgiving? Oh, ok, I guess it’s time to self-publish my G-Mail account,” he’s established the push and pull of oppression. The oppressed will always find a way to subvert their oppressors; if they are wise and want to maintain power, the oppressors will look the other way and even voluntarily provide this release. They’ll allow those small, trivial moments, which give their oppressed a feeling of control and power but are ultimately empty. 

*Since writing this, I’ve left my day job to freelance and sold my printer for a cross-country move. Jury’s still out on whether or not I wish I was still at an office for the privilege of printing.

Conversations with author Michael Zapata

Through my many book-centered roles (Italic Type Book Club Program Manager and Read & Run Chicago guide), I’ve had the privilege of connecting with Chicago-based author Michael Zapata a few different ways over a few different years.

Michael Zapata is a great recommender of books 

In 2020, my book club read The Lost Book of Adana Moreau. Italic Type co-found Emily Achler happens to run this book club and connected with Zapata, who agreed to join our virtual discussion of his book. During our discussion, Zapata recommended a few books to the group. One of these was Kate Simpson’s The Everlasting, which I didn’t fully appreciate until a theme woven throughout clicked in my brain. It was through note-taking and contemplating that I put it together, and then I realized I loved this book. Similarly, Zapata recommended My Name is Red to Achler, and she loved that book. 

So I found a way to reconnect…

In 2023, I decided to lead a Read & Run for The Lost Book of Adana Moreau because, aside from being a captivating and thoughtful story, the Chicago setting was so detailed and perfectly concentrated in a few neighborhoods. I reached out, and Zapata graciously agreed to join us for the post-run discussion at the Golden Nugget Pancake House on Western (if you’ve read the book, you get the significance of this location).  

The run was cold and sleet-y, so we gratefully took our seats in the warmth of the diner, thawing out over steaming stacks of pancakes and mugs of whipped-cream-topped hot chocolate. Zapata arrived a little damp, glasses foggy with the drizzle. As soon as he sat down, he launched us into a wonderful and intimate (there were just 6 of us) discussion of his book, reactions his own family’s had to it (his mom wouldn’t pick it up because she didn’t like the title), books he’s been inspired by, and what he’s working on next.  

This is when I learned the book I wrote my thesis on was the very book that inspired his pivot from script writing to novel writing: Roberto Bolaño’s 2666. I’ve since sent him my thesis so he can see how I analyzed the translation from Spanish. There’s nothing like meeting another reader who appreciates the books you do. You know you’re almost guaranteed to love any books they’d recommend. 

…and the conversation continues.

How we engage readers and writers

The Italic Type team and I have discussed how we’re mostly interested in interviews with author’s we’ve actually read. I’ve had the experience of reading an interview with an author I hadn’t read, curious what I could discover about the writing process or the reading life of someone I may not be familiar with but know I share a deep love of books with, only to find myself lost in their references to other works (are they obscure or am I just not as well-read as I thought?) or finding their responses lacking substance (no new insights into my or the reading of others).

The team and I also talked about ways to engage readers and authors in a more meaningful way than bookstore readings. As we were wrapping up at the diner for Read & Run, Zapata said, almost to himself, what a great way this was to connect with readers.

With these thoughts in mind, when I asked Zapata if he’d be willing to do an interview, I later asked if he’d be willing to pair that with a Group Read on Italic Type, based on a book he’d recommend.

The interview process/And after all that’s said, a self-serving recap of my conversations with Zapata/

I crafted questions to pick up on the threads of these other conversations we’d had sporadically over the last few years. I’ve written up this Q&A with Zapata[link] for our Italic Type blog, but below are a few insights from our conversation at the diner. I followed my gut as a reader for things I’d want to know more about; I hope you find something for you too.

  • Zapata tells his MFA students to “Cannibalize yourself,” turn a part of yourself into a short story. Our lives are a resource for our own story-telling.
  • Though Zapata has been on the literary scene for a while, he took on many roles, all except that of the novelist–the one he really wanted. So it will come as no surprise that, at the diner, Zapata said “writers want to be four or five things.” The book he’s currently working on has a scientist character, and Zapata thinks he did that just so he could explore what a scientist does. I related to this pull, already having changed careers several times; it’s opened my eyes to writing as an opportunity to continue living as many lives as I can.
  • Something else that struck a chord: “You’re only going to get so much from reading, you need to interview and talk to people.” For much of my personal writing I’ve only wanted to use books as resources. They’re readily available for reference any time and it’s the place an expert put down all their work already. Why would I risk rejection by reaching out to strangers for interviews? Who would want to talk to me anyway? But as I’ve been writing this blog, I’ve begun to interview folks for some posts and elsewhere in my writing life, and I have come to find these interactions and assignments the most exciting and energizing parts of writing.
  • Dialogue in sections of his book are without quotation marks. I’m always intrigued when an author makes this choice. I figure it’s to obscure something for the reader and, given Zapata’s themes of parallel universes and the uncertainty of knowing what timeline you are in, I thought my theory clever and accurate. Turns out it was in response to Zapata’s days of writing theater scripts. Everything in a script is dialogue, is quoted, so he was simply rebelling against that in his novel. Theory debunked, at least for Zapata.

His current recommendations: 

An Italic Type production

Since Achler and I can personally vouch for his ability to select the most interesting books, we’ve invited Zapata to join us for a Group Read on Italic Type, based on a book of his choosing. Check out the Q&A blog I wrote to kick off this partnership (will link when published) and, if you see this in time, join us for what promises to be a fascinating and—Zapata promises—weird read and discussion. 

Submarines: underway with a good book

For someone who has nothing to do with submarines, I sure have been on a lot of them. This is because Patrick was a submariner for +10 years (now an engineering duty officer) in the Navy, so it’s obviously of interest to him, and I’ve always been willing to indulge him. I put together a curated list of unique and first-of-their-kind submarines throughout the country for military enthusiasts on MilitaryHistoryNow.com

It started when Patrick was stationed in Groton, Connecticut for several months of training. He and I visited the nearby USS Nautilus and the Submarine Force Museum (With more than 6,000 books about the submarine force, it is also library!). After Patrick’s training, we made a road trip of his move to Portsmouth, Virginia and kept driving through the East Coast down to New Orleans before turning back to Virginia.

In Charleston, South Carolina, we visited the CSS Hunley. In New Orleans, we went to the National World War II Museum and did the “Final Mission: USS Tang Submarine Experience.” In just a few months, I had been on real, replica, and recreated submarines. 

A year or so later, as the nuclear engineer on the USS Rhode Island, Patrick brought me aboard the while it was dry docked for repairs in Portsmouth, Virginia. Given the progression of submarines I’d seen so far, from Civil War era to WWII to the 1950s to today, I could appreciate the difference in capabilities, size, and accommodations. 

Then, I moved to Chicago’s Hyde Park neighborhood, home to the Museum of Science and Industry that oddly enough is the home to a captured German U-Boat (read the article to learn why). Soon I’ll be moving to San Diego and will obviously need to check out the USS Dolphin at the San Diego Maritime Museum. 

Though I had personally visited the majority of these submarines I wanted to feature, I didn’t know much about their history. I turned to books where I could everything I need to know (and of course there was also a lot of Googling). The military buffs can get their tickets, but you came here because you wanted to reading material. Well, you should certainly visit these too to bring your reading to life.

CSS Hunley 

The CSS Hunley 

USS Nautilus 

Underway on Nuclear Power 

U-505 

*I love that Admiral Gallery turned writer! I found his writing entertaining and witty, so I enjoyed reading about his transition after military service, as much as I did reading the necessary material for the MilitaryHistoryNow.com article. 

Anna Karenina: a book and a ballet

There’s no way on earth I’m reviewing Leo Tolstoy’s Anna Karenina. People have written countless analyses, critiques, and dissertations on this novel. It’s arguably the best book ever written. So I’m not foolish enough to think I could possibly say anything more insightful and brilliant about the book than has already been said. Instead, I’m going to tell you how it led to a night out at the ballet and may have turned Patrick into a lover of literature. 

A book 

Patrick, my long distance boyfriend, has always wanted to see a big-city production of the Nutcracker. Around Christmas of 2022 he looked into Chicago’s Joffrey Ballet and noticed it was performing Anna Karenina in February, a time he planned to visit since we weren’t traveling for Christmas.  

Patrick suggested we read the book and then see the ballet, so he could go to at least one performance in Chicago–even if it wasn’t the Nutcracker. Just as I agreed to this, we realized we had enough time before the show to read and discuss each of the eight parts per week of this lengthy novel. 

An observation 

Because I ought to say something about the book, I’ll say I related most to the character Levin and enjoyed reading his inner monologues as he struggle throughout the story to do what was best. A few quotes to illustrate how Tolstoy captured his turmoil:

  • We all have the self who wants doubts we can be better and the self who desperately wants us to be: “…while another voice in his soul said he must not submit to his past and that it was possible to do anything with oneself.”
  • One moment he’s in despair and the next he’s reinvigorated by some revelation: “… but my life now, my whole life, regardless of all that may happen to me, every minute of it, is not only not meaningless, as it was before, but has the unquestionable meaning of the good which it is in my power to put into it!'” 
  • I could relate to this confusion: “It seemed to him that he had expressed his thoughts and feelings as clearly as he could, and yet the two of them, sincere and not stupid people, had told him in one voice that he was comforting himself with sophisms. That puzzled him.” 

Levin gets caught up in resolutions to be and do good good, but, like all of us, he falls back into his old patterns, which often leaves him discourage and convinced he can’t change. Then he’ll be taken by a new idea and will suddenly be enamored with everyone and everything again. Round and round he went.

A miracle

What I loved most about this book was watching Patrick love it. He doesn’t get excited by fiction. Ever. But when we sat down over Facetime to discuss Part One, Patrick started with “I love this book.” I was shocked. What he liked best were all the conversations and inner struggles and tracking the ever changing relationships between couples and characters in the story.  

He was loving the story even though it had all the elements of fiction he finds difficult, like a multitude of characters (with the added bonus of each name being 3–4 names and two characters having the same name). His strategy (which I copied) was to pick one name such as Stiva, Dolly, Kitty and said that name to himself whenever he saw Stepan Arkadyich Oblonsky, Darya Alexandrovna Oblonskaya, Ekaterina Alexandrovna Shcherbatskaya.  

Afterwards, he wanted to learn more about Tolstoy and read analyses of the book. He read online critical essays and, when we took a walk to the library during his visit for the performance, he stopped at the Russian literature section to skim a few critiques and explanations of the book. He was fascinated by the connections and symbolism others had found in the work. I wouldn’t be surprised if this was the first time he felt he understood all the fuss about literature. When a book can do that for someone, it’s amazing to see. 

A ballet 

I had high expectations since I was moved to tears by the Joffrey Ballet’s performance of a Midsummer Night’s Dream several years ago, and I was not disappointed. The ballet was beautiful and creatively adapted to the story. 

The scenes with Anna and Vronsky were physical, wordless portrayals of their struggle–capturing all the romance, tension, and misunderstandings. So different from reading it on the pages of the book.

During intermission, Patrick and I read over the coming scenes and were skeptical of the need for Act 2, Scene 2: “Parliament: Karenin takes a stand in Parliament, presenting his proposal of a new law on immigrants residing in Russia, but it is not received well by the other members.” When reading that scene in the book, I was in a rush to return to Levin or find out what was happening with Anna and Vronsky. But this was one of our favorite dances of the ballet because of the captivating choreography. It made me wonder if this scene was more important to the story than I’d previously thought.

A critique of the ending, in an otherwise positive review, resonated with us: “Unfortunately, the show’s ending hits a wrong note, as the scene shifts away from the city to the countryside, with Kitty and Levin enjoying their blissful marriage, and joyful country folk alternately threshing grain and rolling around in it. It feels like the channel has been changed, switching us from Tolstoy to “Oklahoma!”…” It got us talking about how you represent an entire book, especially one as long, complex, and famous as this one. What scenes do you include? How do you portray all the characters and changes in status each endured through dance? We don’t know how to answer these questions, but we understand that you can’t expect an interpretation (whether movie, dance, or play) to get it exactly right for everyone. It’s best to come with an open mind to discover the ways in which another has interpreted the story.

An adaptation 

With my reading, I love to bring in other interpretations or get off my red chair and out into the world, whether it’s watching a show or movie adaptation, getting a drink, or seeing a ballet. Any time I can bring in other sources, interpretations, or renderings of what I am reading, it enriches the experience because it moves from deeply in your head to how others see the story, like a book club with artists. Books are an endless source of inspiration for live performances: get outside your own head and find an adaptation near you.

Books you can drink to

We know many of our most famous writers liked to hit the sauce when writing; who says readers can’t do the same when reading? When a book is about alcohol, it seems even more appropriate to indulge. Below are two tales of my outings with a book in one hand and a glass of the corresponding drink in another.

A Woman’s Place is in the Brewhouse by: Tara Nurin

I first attended a virtual event with the author, during which I posed a question in the chat: I’m tuning in from Chicago and wonder if you have any local recommendations. Her suggestion to check out Averie Swanson just so happened to be available at Half Acre Beer Co., a 15 minute bike ride from home.

I decided it would only be right to start the book with beer in hand, so I rode to Half Acre on a Sunday afternoon. Because it had started to rain, I donned my yellow raincoat, zipping it snuggly over my tattered green bag to protect the book.

Seated at a high top table in the middle of the lively brewpub, I ordered Creatures of Infinite Contradiction — absolutely delicious.

I found the book witty and thorough. Nurin goes far and wide in location and history to tell the story of women’s role in brewing. I enjoy the occasional beer but know very little about the process or kinds of beer that exist, so don’t feel you have to know much either to appreciate the book.

I sipped and I read. When I had finished and started to bike home, the sun was streaking through the clouds, and it was clear the rain had stopped–at least for a little while.

M. F. K. Fisher: Musings on Wine and Other Libations edited by: Anne Zimmerman

One unseasonably warm January day, I set out for Uvae, a wine bar on Clark Street in Andersonville. With its abundance of shopping and dining, the sidewalk is always busy with people in this area, but the first sunny day in weeks made it even more so.

I was therefore pleasantly surprised to find the spacious tasting room empty before the dinner rush. The sommelier brought four 1 oz. pours of two white and two red wines. The book I brought was a compilation of “pieces and excerpts” from M. F. K. Fisher, considered the greatest female food writer of the 20th century.

A particularly amusing piece was “I was really very hungry.” Fisher had taken a walk in Burgundy and stopped at an old mill, which a Parisian chef had turned into one of France’s most famous restaurants. It was the off season, and she was the sole patron. The young woman waiting on her was overly attentive, joyously approving of Fisher’s gastronomical expertise. I came to understand, through this and other excerpts, that the French dine on far too many courses for Fisher’s comfort, and, while she was brought increasingly rich and delicious foods, I began to notice something strange: 

  • “I obediently put some of [the sauce] on the potatoes…” 
  • “I obeyed meekly…” 
  • “I was beginning, though, to feel almost frightened, realizing myself an accidental victim of these stranded gourmets…” 
  • “…ate it doggedly , like a slave.” 
  • “…I smiled servile acceptance…” 
  • “…the weight of food and my own character could not force me to argue with maniacs.” 
  • “Not a wince or a murmur showed the waitress my distressed fearfulness.” 

These phrases alongside descriptions of delectable dishes were comically contradictory. You can expect fun like this in all her observations and advice on eating and drinking in this collection. 

Let your reading take you places

As much as I love to cozy up on my red chair and read in the solitude of my apartment, it was fun exploring my neighborhood’s local pubs and wine bars and finding drinks to match my reading. I recommend pairing whatever you’re currently reading with a good drink, too. If you do, I’d love to hear about it. Cheers!